In previous posts, I described the history of indirect painting and also some of the techniques. In this post, I plan to show you how an indirectly painted landscape can mimic the light effects in nature and create both an interesting and varied surface quality and multiple optical effects. Indirect painting using the Venetian tradition […]
Atelier Graduates Gain Representation
We are pleased to announce that two recent Landscape Atelier graduates and another student who will finish his studies in December have found gallery representation! Mallory Agerton is now represented by Whistlepik Gallery in Fredericksburg, TX. Mallory will also exhibit work this fall in the small works show at Hawthorne gallery in New York City. […]
Sir Alfred East- Advice on Painting Skies
Sir Alfred Edward East (1844- 1913), was a British landscape painter whose work was influenced by the French Barbizon painters as well as the rich tradition of British landscape painting in the 19th century transmitted by the twin giants of the genre, Constable and Turner. Sir Alfred had a successful career, exhibiting at the Royal […]
Why "Paint What You See" Is Not Good Advice
“In every object there is inexhaustible meaning; the eye sees in it what the eye brings means of seeing.” Goethe “Paint what you see.” Has anyone ever told you that? The other day I was reading something online and ran across a discussion where several artists were offering advice to another artist about how to […]
What is Indirect Painting? Part I
Most of you are direct painters. This is the primary way that oil painting has been taught for the last century or so, although indirect painting held sway prior to that. I was trained to work in a direct, alla prima way as many of you have been. When I decided to explore indirect painting […]
Lessons From a Walk
Last summer, while out for my usual early morning walk, I noticed this big foliage mass of a tree which hangs over our road. The thing that struck me about it was that it perfectly demonstrated a couple of points that come up when painting trees, and really anything in Nature. I took a picture […]