Painting students are often encouraged to think of Nature in terms of shapes of color and value. That is a useful idea because it helps to build a solid foundation of design, value structure and drawing into our paintings. But, what to do after our flat color shapes are in place and we wish to […]
Notan–Not Just Black and White
Notan is a Japanese word for light-dark and consists of a two value arrangement of shapes. It can be used as a tool to define and simplify shape and value patterns. So it may seem counterintuitive to say that Notan is not about light and dark. But it’s true. Notan is an exercise in simplification and […]
Break Temperature Not Value
Nature is, as John F. Carlson said, an overloaded property room, and often as landscape painters we find it challenging to create a painting that has a sense of unity, as opposed to being a composite of parts. There are many “picture-making” strategies for simplifying and unifying nature into a work of art, such as […]
Where To Look for Shifts in Color Temperature
So, now we know that color temperature is an important attribute of color, and that seeing and painting those shifts will add quality to our paintings. But, where do we look for them?Over the many years that I studied with Ned Jacob, he rarely answered my questions directly. Usually, he would say enigmatic things like […]
It's Warm In There! – Lessons on Color Temperature
One sunny, breezy day over twenty five years ago, I was painting boats at a picturesque harbor on the Maine coast with my teacher and mentor Ned Jacob. There is some sort of special hell reserved for artists painting boats, especially boats that are moving. bobbing up and down and generally not staying still! But, […]
Lessons From a Walk
Last summer, while out for my usual early morning walk, I noticed this big foliage mass of a tree which hangs over our road. The thing that struck me about it was that it perfectly demonstrated a couple of points that come up when painting trees, and really anything in Nature. I took a picture […]